The New Avant Garde | Sculpture : Art in Transit

Computational in interior design acts as a catalyst of formalizing new theoretical directions and postulating new design materialization beyond the perception. Association of design with function, precedent based design and typologies are still in coherent process of evolving into generation, iteration, performance-based design and materialization through culmination between emerging technologies and architectural theories. Understanding through integrating the reverse work flow of form finding, performance simulation and evaluation leads to a morphological approach towards spatial development, where network of connections, and challenging the highly material word tectonic and the immaterial word digital into an alchemy of digital tectonics. 
Can one point influence the design throughout. Engaging interior design with the exploration of complex geometry i.e., “free forms” (Zellner, 1999) as well as related materialization, process of fabrication and manufacturing technologies. ‘Form’ must be ‘informed’ by considerations of ‘performative’ principles to subscribe to a logic of material ‘formation’ 
The art, city and site evokes certain parameters and constraints in parallel to the light quality, built material, tectonics of site and character of the design, wherein lies the proposition of approach towards a vector applied field study that in turns formulate the design elements through object ontology. 
Implementing through certain achieved parameters and constraints which is developed throughout the process in finding the design decisions which are capable of culminating the priori of existing construct and a dynamic stochastic approach towards design, where all the real world application from structure to material is been analyzed, performed and evaluated through digital processes, where the meaning of a designer becomes the new paradigm in which the output is categorized and formulated through certain decision making where the final appearance is a product not only of the designer’s imagination alone, but of the generative capacities of the constructed parameters and constraints.