Museum Of Textile Crafts Of India

Insert of Vantage Points A memorial commemorating Rana Pratap to see how one would built it in war-torn feudal times or how one see him in our democratic present. The past needs to be represented as a mime or as an understanding. About the mewar complex is that elements of traditional story telling is absent. There are no statues, no paintings, no recreation of an epic so there could be a museum of displaying textile crafts of India which interacts with the space and also exhibits the tradition of crafts of Rajasthan that the place is itself. The learnings from initial design exercises are referred to design a space for museum exhibiting Textile Crafts of India at VictoryMemorial, Mewar Complex Udaipur. Experiencing the low volume, rough surface with small low openings, entering the movement along the curve for exhibition viewing deck with a panoramic view of landscape all around and the axial movement on arrival creates a circulation in site idea is to view the interior from various points where upon and site entrance of site interior looks busy. The screens and staircase are implemented using component from mass and shop exercise with further modifications. The design with the idea of ornamentation the whole spatial experience efforted with the idea of insert of ornamentation achieved structurally, through joinery details, through kit of parts, elements and initial design exercises. The design of textile museum is inspired by the characteristics of the site. The intervention design is to create vantage points through the order of rotation as a form. The intention is to create points at different levels on site. Functions of the design is a museum of textile crafts of India. Based on the functional requirements the program includes exhibit area, workshops, merchandise stalls. To achieve the understanding of ornamentation through assembly of elements and joineries of the space.